محمدرضا نوراللهی

Space and Identity in Cormac McCarthy's Blood Meridian: A Deleuze and Guattarian Reading Abstract This study explores the intricate relationship between space and identity in Cormac McCarthy's Blood Meridian, utilizing the geocritical concepts of Gilles Deleuze and Félix Guattari. By examining his novel, the study investigates how the interaction of smooth and striated spaces shapes and reshapes characters' identities. Through the lens of Deleuze and Guattari, the research highlights the fluidity and dynamism of spaces, focusing on the continuous interplay without rigid distinctions between space and place. As the integration of Deleuze and Guattari’s concepts of the war machine, nomad, and rhizome is essential to understanding the influence of space on characters' identity, this study begins with examining these key concepts. The rhizome concept parallels the non-linear, interconnected narrative structures in McCarthy's work in which the nomadic existence of characters underscores their search for meaning and survival in a world of constant flux. Through detailed analysis, this study aims to uncover the ways in which McCarthy's characters grapple with their identities amidst perpetual change, offering a nuanced understanding of the interplay between space and identity in contemporary literature. Keywords: Cormac McCarthy, Blood Meridian, Deleuze and Guattari's Geocriticism, Space, Identity

In the present essay, the researchers aim at studying two famous novels "The Crossing" and "The Road" in the light of Deleuzian geocritical concepts such as: nomad, rhizome, smooth space, and war machine. Studying space and place in American literature is a new trend. Space and landscape, considered as smooth space and striated space in Deleuze and Guattari's nomadology, are significantly highlighted in American literature. By drawing on Deleuze and Guattari's view of rhizome, which does not follow any plans or structures, the novel can be regarded as a rhizomatic structure in which the characters with nomadic existence move freely in a smooth space- a space without an explicit beginning and a clear destination. Portraying American space and landscape is a dominant theme in Cormac McCarthy's novels, including "The Crossing" and "The Road", in which the characters move from a rooted life to a nomadic life. Through examining these two novels, this paper is going to investigate the movement of nomadic characters in the smooth space of the postmodern world. Moreover, through exploring the relationship between literature, space, and identity, drawing on the philosophical ideas of Deleuz and Guatari, this paper is going to expose in what extent the representation of spaces in literature can reflect and shape cultural and national identities.