آیناز سمیر

The present study aimed to examine and validate a rubric for translation quality assessment using Rasch analysis. To this end, the researchers interviewed 20 expert translation instructors to identify the factors they consider important for assessing the quality of students’ translation. Based on the specific commonalities found throughout the interviews, a 23-item assessment rubric was constructed on a four-point Likert scale. More specifically, this study used the Rasch rating scale model for polytomous data to investigate the psychometric properties of the rating scale in terms of dimensionality, reliability, use of response category, and sample appropriateness. Then, a translation exam was administered to 60 translation students at the BA level in Iranian universities. Following this, the rubric was employed to assess the quality of students’ translation. The results revealed that the Rasch model fits the data well. Thus, the findings of the study indicated that the rubric is potentially valid and useful, and can be used as a measure of translation quality assessment in the Iranian context.

Subtitling, like all other types of audiovisual translation, has always been influenced by cultural factors, and in turn, subtitles have influenced their target readers. The relation between culture and language in interlingual subtitling might cause some problems in translating Culture References (CRs). The aim of the present study was to classify the samples of CRs in the “Harry Potter” movie series based on Klingberg’s (1986) model. It was also intended to investigate the strategies applied by Iranian translators in subtitling the (CRs) in “Harry Potter” movies from English into Persian based on Diaz Cintas's (2007) proposed strategies. To do so, instances of CRs were drawn from the two series of Harry Potter entitled Harry Potter and the Philosopher's Stone (2001) and Harry Potter and Goblet of Fire (2005). The data analysis was carried out by descriptive statistics to indicate the frequency and percentages. The findings revealed that “Personal Names” and “Magical Objects”, were the most frequently used CRs in the two selected series of Harry Potter movies based on Klingberg’s (1986) model. Additionally, the results showed that “Loan” and “Calque” were the most frequently used strategies in subtitling the CRs. The findings of the present study may be useful for English translation students, subtitlers, and fansubbers who do subtitle English movies in the Iranian context

Translation Studies (TS) moved away from the focus on literary translation and linguistic approaches to new types of translation called Audiovisual translation (AVT). Technological advancements affected the development of AVT. Technology created a situation in the world of moving pictures within which subtitling and dubbing take an important role in optimizing communication. Despite the growing interest in AVT, song subtitling and dubbing remain on the periphery of TS. Therefore, this study aimed to identify the differences that may exist between the strategies used for subtitling and dubbing the songs on some special musical animations from English into Persian based on Schioldager et al.’s (2008) twelve micro-strategies. The corpus of this study consisted of three musical animations which are Strange Magic, Moana , and Frozen 2 . This study focused on nine songs in each animation. The songs had meaningful lyrics, established the character(s), aided in the narrative, and made the audience relate to the character or the story. Hence, in the selected animations 27 songs were selected. The data were analyzed using a chi-squared test. The results indicated a statistically significant difference between six out of 12 strategies for dubbing and subtitling the animation’s songs. The differences were related to “Direct Translation”, “Oblique translation”, “Adaption”, “Addition”, “Substitution”, and “Deletion”. The results revealed the most frequent micro strategies used by Iranian translators in dubbing songs were “Oblique Translation”, “Deletion”, “Substitution”, and “Adaptation”. However, “Direct Translation” and “Addition” were the most used strategies in subtitling songs in animations. Thus, it was revealed that the translator in dubbing not only transferred the dialogue from the source text but also considered the source text idea. The findings offered a pedagogical implication for translation students, subtitlers, and dubbers to recognize better the subtitling and dubbing strategies that were being used by translators in the Iranian context.

Translating taboo words is one of the challenging tasks that translators face during subtitling and dubbing movies. The translation of taboo words should be handled carefully since they may violate the norms of the target society. In this regard, the translators use different strategies to find an equivalent in the target language. This study tried to identify the strategies used by Iranian translators in dubbing and subtitling the F*k words as taboos in American English-drama crime television series based on Davoodi’s (2009) model. Thus, this was a corpus-based study that has a quantitative method with a descriptive comparative approach. The corpus of this study was limited to F*k words found in the TV series called Big Little Lies season one. This TV series was selected as the corpus of this research because this series movie was incredibly more suggestive and popular in recent decades and targeted a wide range of audiences and adults. Thus, 80 F*k words were identified for further analysis based on Sharifi and Darchinian's (2009) model. Descriptive statistics were used to determine frequencies and percentages of the applied strategies in the Persian subtitled and dubbed of the F*k words. The findings showed that Substitution, and Euphemism were the first and second used strategies by Iranian translators for dubbing and subtitling the F*k words, respectively. Additionally, the results of the Chi-square test revealed that there was not a significant difference between Iranian translators’ strategies for subtitling and dubbing F*k words. The results of the present study can be beneficial for Iranian subtitlers, dubbers, and translation students in the subtitling and dubbing of F*k words as taboos in crime drama movies from English into Persian.

This article presents a study on the use of Korean slang, particularly secondary slang, in the popular Korean TV show Running Man. The researcher applied Chapman's (1988) theory to distinguish and categorize the types of Korean slang used in the show, limiting the types of slang to only secondary slang and particularly applying the category of loan words based on Choo and Kwak's (2008) model. Using the descriptive method, the researcher classified slang expressions used in two episodes of Running Man and found that 312 secondary slang expressions were elicited. The study suggests that Running Man is a window to visualize the Korean language and helps foreign audiences learn the slang easily and memorably while having fun. This information can be useful for researchers who are interested in studying the use of slang in different languages and contexts. The findings of the study are beneficial for students, instructors, and researchers who want to understand the characteristics of Korean slang expressions, particularly loan words from the English language into Korean. The study also highlights the importance of authentic language use in entertainment media for language learners.