This study adopted Talmy's (1985, 2000) typological framework of motion events to systematically analyze manner-of-motion verbs in three representative Gothic texts: Edgar Allan Poe's "The Tell-Tale Heart" (1843) and "The Black Cat" (1843) and Shirley Jackson's "The Lottery" (1948). The study used both quantitative and qualitative methods, including corpus analysis, to identify key narrative functions of motion verbs (e.g., indicating physical or mental resistance, violence, and deception). It then showed how these verbs built tension, horror, and dread. Findings revealed that fundamental movement verbs dominated (45.6%), establishing an atmosphere of false normalcy, while sudden eruptions of violent motion and physical resistance created a pressure-release dynamic central to Gothic aesthetics. Furthermore, the analysis demonstrated significant stylistic divergences in the authors' employment of motion verbs, reflecting the dual nature of Gothic aesthetics: Jackson’s use of ritualistic motion highlighted communal horror contrasting with Poe’s focus on psychological disintegration. The paper concluded that Gothic fiction transformed mundane actions into kinetic terror, with motion verbs functioning as both narrative catalysts and psychological markers. These insights advance the understanding of how linguistic structures shape genre-specific emotional effects, offering a quantitative and narrative-functional framework for analyzing Gothic literature.
