مرسده طهماسبی فرد

Nowadays, clutter and visual clutter have become common characteris tics of cities. The main cause of this confusion and visual clutter is the presence of urban facades with an abnormal appearance that s tands out in the city. Meanwhile, the firs t image seen of a building is its facade, which can play a role in creating the order or visual clutter. This heterogeneity is more apparent in the facades of Tehran city, especially in the vicinity of its main s treets, which have the mos t daily passers-by. However, what parts of the facade have caused visual clutter, and what was the mos t colorful visual part of the facade in this context? In the field of visual clutter, urban facades can be as effective as urban walls. Materials, colors, changing s tyles and contexts, different compositions of forms. These can be the factors that create and increase this visual clutter in monographs. In this research, by examining the three s treets that collect garbage in the areas that have had the highes t number of building permits issued in the las t ten years, single facades with visual clutter have been identified, and then by examining the components of these facades, the common characteris tics of each in terms of components have been identified. The composition of the facade was checked. This research shows that additions, materials, colors, and windows have the greates t impact on the visual clutter of urban facades in the examined samples.

In exploring the evolution of Iranian architecture from prototypes to the present day, Qajar architecture is an important part of Iranian architecture history. The importance of this era's architecture is because large changes in conceptual and physical context occurred slowly in Iranian architecture during this time. These changes, especially from the Nasserian period (the second Qajar era), have intensified and with the influence of Western architecture, Iranian architecture is gradually moving away from its traditional, rooted forms, manifestations and concepts, and blending European architectural patterns with Iranian models and styles to the extent that architecture progresses. These changes in Residential buildings (especially mansions) also appeared. Therefore, in this study, a comparison between the architecture of the residential buildings of the three periods of Qajar dynasties has been carried out to compare the changes of each period. The results showed that Qajar architecture has been influenced by western and European architecture from beginning to end.

By designing conditions and relaxing spaces with the help of values and concepts of Japanese architecture, based on Zen's philosophy that based on simplicity, purity, avoidance of complexity and relaxation, it has tried to bring an experience of relaxation to the audience. This article seeks to investigate a principled relationship between the principles of Japanese gardens in accordance with the teachings of Zen philosophy, and the effects of its tranquility and cheerfulness. In fact, a set of principles for the design of Japanese gardens influenced by Zen's philosophy can play an effective role in the mental relaxation of the audience from a psychological point of view. The architecture of the Zen Gardens from the point of view: the style of the rocks, the elements of the garden, the types of lines and shapes used in them, and... Have a positive psychological effect on the audience. Relaxation in these gardens can be used in landscape design of public and private buildings in cities that are facing increasing numbers of mental illnesses, so that perhaps the correct architecture could be effective in improving mental illness and promoting community health.