سارا زندیان

This article was written based on the key concept of polysystem theory which, in translating any literary text, emphasizes the transference of the social systems in which a text is embedded. As stated by Tynjanov (1978a), polysystem theory saw translated literature as a system operating in the larger social systems of the target text. Thus, the task of understanding as well as transferring such systems in their translations, which can certainly affect the readers’ adequate understanding of texts, is a challenging job for most of the literary translators. After identifying three main social systems in The Great Gatsby as the corpus which was ranked second in the lists of the 100 Best Novels of the 20th Century, the source and the target texts were studied attentively, to study the way the respective systems were translated by the Iranian literary translators. Therefore, the prominent element of Nord’s textual analysis (1991), macrostructure, was focused throughout data collection procedure. Then, it was demonstrated that especially through an appropriate transference of the major conflict between the two predominant classes in the novel, the translator has managed to suitably convey most of the text’s social systems in his translation. Finally, it could be deduced that most of the literary translators in Iran, somehow transferred the concerned systems into some significantly adequate equivalents in their works.

Translation studies essentially deals with a socio-communicatively driven and contextualized enterprise. Viewed hence, it seems that no discipline tends to provide the possibility of studying the interrelations between interlocutors to generate meaning within the interactive social context as precisely as sociolinguistics (Federici, 2018). A sociolinguistic approach to translation seems to be increasingly gaining ground, at the crossroads of Translation and Interpreting Studies (TIS) and sociology within the sociological turn (Wolf, 2010). Accordingly, the present study took a sociolinguistic approach to shed some light on The Great Gatsby (1925) and its Persian translation by Emami (2000). In so doing, an extended version of Hatim and Mason’s (1997) sociolinguistic model was employed to examine the texts in question. The source text (ST) and its target text (TT) version were investigated at both textual and extra-textual levels in light of the model’s respective sub-components. The results of this comparative study, analyzed individually for each register variable, revealed that the translator dealt rather superficially with both use-related categories of register variation like tenor and user-related aspects like idiolect. By contrast, the predominant features of literary expression were mostly retained in the translation.

The conflict between form and meaning is not a new phenomenon, especially in the translation of sacred texts . The Quran's fusion of style and content, as well as the unparalleled quality of its structure, have made its translation an arduous task for translators. The aim of this descriptive study was to investigate the adjustments to form and meaning in three translations of Az Zariyat surah (by Arberry, Pickthall, and Shakir). The English and Arabic versions of this surah were contrasted based on the semantic and structural adjustments applied by Nida and Taber in the translation of the Bible. The results revealed that more than three-quarters of the adjustments were concerned with semantic adjustments, with lexical expansions being the most common. Furthermore, structural adjustments and reductions were made to a lesser extent compared to other modifications. Translators mostly chose to stick to the source text, describing only ambiguous or abstract words in the source text and avoiding significant reductions. This behavior can be explained by the sensitivity of the Quranic verses and the translators' willingness to remain faithful to the original text . The adjustment framework introduced in the present study may offer promising avenues for tackling the dilemmas in the way of rendering the style and content of the Quranic verses.

Recently translation researchers have endeavored to adopt new directions in the current translation quality assessment (TQA) approaches. To this end, they made them more congruent with the desired requirements of a translator’s competence, especially considering the latest paradigm shifts, including ideological skewing and localization (Tiselius & Hild, 2017). Thus, such frameworks as Angelelli’s (2009) definition of translation competence (TC), as the study’s theoretical framework, need to be improved. An attempt was made in this study to design a rubric based on the proposed TQA model representing the TC construct with its comprehensive sub-components and finally, to test its applicability to the Persian translation of The Catcher in the Rye . The assessment procedure through which the obtained results were textually analyzed based on the proposed rubric specifically for each sub-component, revealed the inadequacy of the translation quality on the whole and the underlying implications of the rubric’s applicability to other translation products.