مطالعه تطبیقی جلوه های عشق در گنجینه الاسرار عمّان سامانی و آتشکده نیّر تبریزی
آرشیو
چکیده
عشق رکن اصلی مباحث عرفانی و ادبی است. این مبحث مهم در اشعار فارسی ازجمله اشعار نیّر تبریزی و عمّان سامانی نیز وارد شده است و این دو شاعر، واقعه کربلا را با چاشنی عشق به تصویر کشیده اند. این مقاله که به روش توصیفی تحلیلی نگاشته شده است، مبحث عشق و مؤلفه های اساسی آن را در گنجینه الاسرار عمّان سامانی و دیوان نیّر تبریزی می کاود و به ارتباط عارفانه و عاشقانه حسین (ع) با معشوق ازل و نیز جانفشانی و ایثار یاران امام در راه حسین (ع) را به عنوان پیر و مراد خود می پردازد. چگونگی پیدایش عشق، برتری عشق بر عقل، اتحاد عشق، عاشق و معشوق، خاصیت های میِ محبت، طلب رضای محبوب ازجمله مشخصه هایی هستند که هر دو شاعر حسینی با دیدگاه ها و روایت ها و تأویل های خود گاهی به صورت مستقل و گاهی در داخل روایت های واقعه کربلا و از زبان اشخاص به آن ها پرداخته اند. نتیجه آن که حسین (ع) در ارتباط با محبوب ازل، در حکم عاشق راستین حق و خانواده و یاران امام نیز در ارتباط با ایشان بهترین عاشقان و مریدان وی هستند و محبوب ازل را به واسطه او می شناسند.A comparative study of the manifestations of love in the Omanis’ Ganjinato Alasrar and Nayyer Tabrizis’ Atashkade
Introduction
Nayyers mystical view and epic expression regarding the great incident of Karbala, as well as the sad narrative of AhleBeyt (a.s.) have made her brilliant verses among Ashurai works. Her Ashura poems, which have drawn passages from epics, ideals, mysticism and Ashura's elegies with artistic expression, have a great influence. In the words of Oman Samani, there are subtle points of love and mysticism and epic in an artistic and warm way, the expression of mystical mysteries and subtleties of the Karbala incident, secrets of the manifestation of love and beauty, the worship of the lover and the passions of the beloved, the way of being and the state of ecstasy, passion , parting from and reaching the beloved is planned. She has organized the events of Ashura with a mystical approach and an allegorical and mystical language in the famous masnavi of Ganjina al-Asrar. In her poem, she only looks at the incident of Karbala from an epistemological point of view, and she uses the elaborate method in expressing its secrets.
Research method
The research method in this research is descriptive-analytical and library-style. The area and society under study is Ganjinatol Asrar Omman Samani and Atashkad Nayyer Tabrizi.
Mystics consider man to be the secret of creation and the end and fruit of existence. In their view, a perfect human being is a mirror of the manifestation and manifestation of God's names and attributes, by knowing them one can achieve a deeper knowledge of God. And she asked God from the mirror of her existence and innocent hearts. On this basis, it is necessary for a human lover to arise and drink the wine of divine love to guarantee the continuity of life. God sees his cup of love full, calls out once again and calls the best lovers. Therefore, the cup of love, which was previously in the shaky hands of man, was drunk by the most perfect and intoxicated lovers of the children of Adam.
Conclusion
Omman deals with topics such as reason and love, love and its attributes, the discussion of the true lover and its attractions, as well as the connection and chastity of the lover and her desire, etc. In Nayyer’s poems, especially in the Masnavi, Atashkade is depicted. Omman Samani and Nayyer Tabrizi should be considered as full-fledged poets who quench their long-lasting thirst with the beauty of God's values and express their spiritual observations artistically in silence and intuition with their continuous journey through knowledge. In their poems, both mystic poets report the movement of the caravan of love on the mystical path and show the bloody scenes of sacrifice and honest love and flight to the "place of annihilation" which is the ultimate journey of the seeker of God, moment by moment. Both have an epic and mystical view to the Ashura event and The mystic concentration in Ommans Ganjinato Alasrar is more than Nayyers Atashkade.
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