تحلیل طرح واره های حجمی در سروده های نیما یوشیج
آرشیو
چکیده
زبان شناسی شناختی، رویکردی در مطالعه زبان است که به بررسی رابطه میان زبان انسان، ذهن او و تجارب اجتماعی و فیزیکی او می پردازد. در علوم شناختی برای توجیه مفهوم سازی استعاره از طرح واره ها استفاده می شود که غالباً تصوری اند؛ یعنی براساس مفاهیم بنیادین ذهن ما شکل می گیرند و برای توصیف موضوعات انتزاعی و اندیشیدن استفاده می شود. بر این اساس، انسان تجربیات خود را از جهان خارج به صورت مجموعه ای از ساخت های مفهومی و زبانی در ذهن انبار می کند و به خارج در قالب کلام و نوشتار تراوش می دهد. حال این پرسش پیش می آید که جهان ذهنی نیما چه تأثیری در شکل گیری طرح واره های تصوری حجمی در شعر او داشته است؟ به بیان دیگر، طرح واره های تصوری حجمی شعر نیما چه مبنا و منبعی دارند و از کجا سرچشمه می گیرند؟ پژوهش حاضر می کوشد، ضمن بررسی طرح واره های تصوری حجمی در شعر نیما، با رویکرد زبان شناسی شناختی و معناشناختی به عنوان زیرمجموعه آن، به این سؤال پاسخ داده و با توجه به رویکرد مدنظر تصویری جامع از طرح واره های تصوری شعر نیما به دست دهد. تحقیق حاضر، پژوهشی نظری، توصیفی – تحلیلی است که بر پایه مطالعات کتابخانه ای انجام شده است. نتایج حاکی از آن است که نیما به دلیل نامساعد بودن شرایط و احوالش، خواستار رهایی و نجات یافتن از آن اوضاع بود که می تواند سرچشمه کاربرد طرح واره حجمی در اشعارش باشد.Analysis of volume schemas in Nima Yoshijs poems
Introduction
The newest school that has been introduced in the field of linguistics is the cognitive school, which despite the fact that many books and articles worthy of attention have been written in this field, due to its novelty, it still has a lot of work to do. Cognitive semantics, which is one of the main branches of cognitive linguistics, investigates the relationship between the conceptual system and the semantic structure encoded in the language. In other words, in cognitive semantics, researchers investigate knowledge representation (conceptual structure) and semantic structure (conceptualization). Imaginary schemas are one of the conceptual constructs of interest to cognitive semanticists; In the sense that a set of actions and behaviors emerges from us that we understand our surroundings and in this way, we create fundamental conceptual constructions that are used to think about abstract matters.
Research Methodology
The current research is a theoretical, descriptive-analytical research based on library studies. The results indicate that Nima wanted to be freed from that situation due to his unfavorable circumstances, which can be the source of the use of volume planning in his poems.
Discuss
In cognitive semantics, the use of the word "schema" means that visual schemas do not contain detailed concepts and do not indicate details; Rather, they are stereotyped concepts that have been found from physical experiences (Ghaeminia, 2011: 658); It means that we live in a special place with certain limitations, we walk, eat, sleep and generally deal with the world around us and its patterns every day, the understanding of these patterns has become physical; That is, it is the result of the interaction of our body with them.
Conclusion
Nimas volumetric schemas can be shown in several separate image layers, all of which are imagined in a volumetric format:
A class that Nima, in a critical way, aims at the inner and institution of humans and imagines it full of pride, pain and madness, or reads the inside of the mind and thoughts of humans.
The class in which Nima portrays the heart and love, which are themes that are close to each other in terms of meaning; But what goes on inside them is important and noteworthy for Nima and he emphasizes it.
A class in which the poet portrays the time and the world from the point of view of protest, which is full of anxiety, pain, chaos and evil.
The other class, which includes the characteristics of the lover and the beloved, and the poet considers actions such as laughter, crying, and the look of the beloved in an abstract way, from which tears, sadness, and pain come out, and these poems show his view to love.
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