Transference

This article was written based on the key concept of polysystem theory which, in translating any literary text, emphasizes the transference of the social systems in which a text is embedded. As stated by Tynjanov (1978a), polysystem theory saw translated literature as a system operating in the larger social systems of the target text. Thus, the task of understanding as well as transferring such systems in their translations, which can certainly affect the readers’ adequate understanding of texts, is a challenging job for most of the literary translators. After identifying three main social systems in The Great Gatsby as the corpus which was ranked second in the lists of the 100 Best Novels of the 20th Century, the source and the target texts were studied attentively, to study the way the respective systems were translated by the Iranian literary translators. Therefore, the prominent element of Nord’s textual analysis (1991), macrostructure, was focused throughout data collection procedure. Then, it was demonstrated that especially through an appropriate transference of the major conflict between the two predominant classes in the novel, the translator has managed to suitably convey most of the text’s social systems in his translation. Finally, it could be deduced that most of the literary translators in Iran, somehow transferred the concerned systems into some significantly adequate equivalents in their works.

Translation seems a spoon feeding activity if it is taken mere transference of meaning from one language to another i.e. source language to target language. A good translation is usually considered, a translation in which merit of the original work is so completely transfused into another as to be distinctly apprehended by the native speaker of the country to which that language belongs as it is by those who speak the language of the original work. This vendetta leads to the presupposition that there may be other types of translations i.e. a bad translation, an average translation, or the best translation. There is another controversy of free (sense) and literal translation (sense & style). Sometimes it is taken as word for word translation and sometimes as sense for sense translation. But the problem arises when the cultural, poetical, linguistic, stylistic, and technological issues are involved in translation. To find out its inherent impossibility, the participants were given one quotation to translate it from Urdu to English. It is concluded that although the quotation which was given for translation was quite simple and did not have cultural and equivalence problems to a great degree, yet the varied responses with respect to structure, understanding, punctuation, and expression show that it was not an easy task