Susa

The period of Darius I Achaemenid and his son Xerxes, owning to the construction of Persepolis, is one of the most important periods of cultural exchange in the ancient world. Achaemenid satrapies operated in a regular and coordinated network from the Nile to the Indus Valley and from Oxus to the Mediterranean. At the same time, this network became efficient through the construction of ancient roads, and the roads management system defined the function of this network in the direction of control and monitoring accompanied by the regular management system on each plain. It is very important to identify the route of the royal road in the Achaemenid period from Persepolis to Susa and Sardis in Asia Minor. The author has identified an ancient site in the archaeological survey in the southwest of Iran where there are signs of Carian stonemasons in a stone torus. The identification of newly discovered evidence for the first time from this site is important and effective in understanding the relations of Persepolis with the Anatolia region and the presence of Asia Minor masons in the construction of the royal road in ancient Persia.

In archaeological finds, seals are generally considered as one of the most important data bearing important economic, political and even artistic information of relevant time periods. Moreover, the iconography of seals plays an informative role to explore the main characteristics of seals or sealing in order to better understand the social, economic or even the administrative contexts of the societies to which they belonged to. Different styles in the different space and times are known in terms of pictography that can help researchers understand the characteristics of a time period better in the absence of sufficient information. The ancient city of Susa with a rich collection of seals related to different historical-cultural periods is one of the most important ancient sites in Iran which have been used as clues to decipher or interpret that can guide researchers in the stylistics and iconology of seals from its neighboring areas. The cylindrical seal No. 1841 has been registered in the catalogue of the National Museum of Iran with an “unknown” location. The similarity of the image engraved on this seal to those found on seals obtained from Susa was the reason the author came up with this article in order to introducethe seal and specify iconography and stylistics and finally its date and origin with a comparative study. The present study tries to answer the research questions: “What style and time period can be considered for the iconography of the cylindrical seal in the National Museum?” and “Is it possible to prove that it belongs to the city of Susa according to the iconography of the image of the relevant seal?” Studies that have been conducted with the comparative method and with the approach of the image analysis, the IVA style of Susa is considered for it leading to the conclusion that this seal probably belonged to Susa itself.