Impoliteness strategies

This paper examined impoliteness strategies used by characters and their resulting reactions in five American comedy series. Drawing on Culpeper’s models (1996 & 2003), the comedy series were watched several times with one month interval to make sure that the impolite utterances and their reactions were put in the correct categories. The results of the study revealed that sarcasm was the most frequently used strategy among other strategies, and male and female characters were not distinct in using this strategy. However, male characters exploited the bald on record strategy more than their female counterparts. One striking result was the frequent use of offensive reactions by male actors. The reasons behind the variable use of these strategies are twofold. First, impoliteness is used as a tool to show off the power of the male characters. Second, using impoliteness strategies in comedy series reflect the entertaining role of sarcasm used by the actors.

Despite the fact that impoliteness has been the focus of much investigation in various contexts, including political and cultural, there remains a paucity of evidence on the manifestation of impoliteness in literary texts. Examining Harold Pinter’s Mountain Language (1988) and Ashes to Ashes (1996), this paper discloses the impact of (im)politeness on identity. It posits that because of a mismatch in power dynamics and impoliteness between communicators, identity and self-esteem are subject to threat. Harold Pinter’s plays manifest profound interconnection between (im)politeness and identity construction/destruction. Our analysis shows how, in plays under scrutiny, characters are in a constant verbal struggle for survival and dominance and how this conflict impacts on characters’ social identity. Adopting Bousfield and McIntyre (2018) alongside Garcés-Conejos Blitvich (2009)’s model, this paper elucidates how impoliteness operates within the political settings of the plays in which the oppressors’ aggressive language aims to delegitimize the social identity of the oppressed ones. Furthermore, we strive to indicate how the impolite language and social/individual identity are closely related which contributes to a deeper understanding of characterization in literary works.