مطالب مرتبط با کلیدواژه

Caricature


۱.

Social Factors in Cartoon Analysis through French Specialists(مقاله علمی وزارت علوم)

کلیدواژه‌ها: Caricature drawing morphology newspaper cartoon Physiognomy society socio-cultural codes

حوزه‌های تخصصی:
تعداد بازدید : ۷۱۷ تعداد دانلود : ۵۱۸
Since their appearance, cartoons and their creators took interest in social and political facts and figures. Often a more direct witness than a text, cartoons were quickly transformed from their initial entertaining role, to a tool to attack oppressors and reveal social injustices. To easily communicate with their public, they had to share the same codes and experiences that lived their audience in the society. Various social factors were sometimes unconsciously transmitted in the drawing through the psyche of the cartoon’s creator, which was formed during his life, and sometimes consciously applied in the cartoon’s decoration, appearance or the movement of the characters in order to further elucidate the message. Therefore, cartoon analysis must take account of all social elements at the time of cartoons’ production and reception. In this area, French specialists, especially Roland Barthes are among the leading figures who have worked on the role of socials factors in image analysis. In this article, their opinions are applied to cartoon analysis in order to better understand the way a cartoon is intended to send a message to its public.
۲.

State-people power relation as reflected in modern Iranian political cartoons; A visual social semiotic perspective

کلیدواژه‌ها: Caricature Political cartoon Visual social semiotics Visual mode Power Relations

حوزه‌های تخصصی:
تعداد بازدید : ۴۰ تعداد دانلود : ۳۱
The paper aims at tracing the elements of state-people power relation discourse in contemporary Iranian political cartoons featured in Khatkhati Satirical Magazine between March 2018 and March 2019. It addresses a gap in the research of Iranian caricature as a multimodal media and employs visual social semiotic framework (Kress & van Leeuwen, 1996) to analyze 6 cartoons representing the power relation in question. The interaction between image and text, as well as semiotic resources realizing the representational, interactive and compositional metafunctions of the visual mode are carefully examined to decode the messages communicated by the cartoons. The analysis tentatively suggests the following motifs inferred from the analyzed cartoons: dichotomy between the officials and regular people, abuse of power and  the subordinates’ trust by the dominant actor, corruption and hypocrisy underlining the state-people power relation.