نقد فرمالیستی و نشانه شناسانه اثر مدیریت زمان از الکساندر گورلیزکی (مقاله علمی وزارت علوم)
درجه علمی: نشریه علمی (وزارت علوم)
آرشیو
چکیده
الکساندر گورلیزکی از جمله هنرمندان اروپایی است که در سال های اخیر با تأثیر از نگارگری هند، دست به خلق آثار متعددی زده است. مدیریت زمان یکی از نقاشی های فیگوراتیو این هنرمند بریتانیایی است که به لحاظ فرمی و نشانه های به کار رفته در آن، به نظر می رسد بیانگر فضای ذهنی هنرمند می باشد و قابلیت هایی برای نقد و مطالعه بیشتر را دارا است. جهت گردآوری اطلاعات دراین پژوهش ازمصاحبه شخصی نگارنده با الکساندرگورلیزکی، منابع کتابخانه ای، منابع معتبر اینترنتی و همچنین مقالات چاپ شده در نشریات علمی پژوهشی استفاده شده است. این پژوهش از نظر شیوه پردازش اطلاعات پژوهشی، توصیفی-تحلیلی است و در جهت پاسخ دادن به این پرسش صورت گرفته است که در اثر مدیریت زمان به عنوان یک نظام نشانه ای، هرکدام از عناصر تصویری به طور مستقل و در ارتباط با یکدیگر بر چه چیزی دلالت دارند؟ همچنین در اثر مدیریت زمان ساختار و فرم اثر چه ارتباطاتی را می تواند با این نظام نشانه ای داشته باشد؟ اثر مدیریت زمان از میان آثار نقاشی فیگوراتیو گورلیزکی که از سال 2014 تا 2015 میلادی در نمایشگاهی با عنوان ما یکی هستیم در گالری اریک موشه به نمایش گذاشته شده اند، به این منظور انتخاب شده است که به خوبی نمایانگر سبک شخصی هنرمند در نقاشی های فیگوراتیو او است.A Formalistic and Semiotic Critique of "Time management" Painting by Alexander Gorlizki
In the last decades, the process of selection and manipulation of ancient pictorial cultures, traditional arts, and folk art in contemporary European painting follows a very significant trend. During the last few centuries, European artists have traveled to India and got familiar with Indian art, especially Mughal Miniature painting and its various schools, and were influenced by it in creating their paintings. Alexander Gorlizki is a prolific artist who has created various artworks in different fields with the influence of Mughal miniature painting due to his special view. Among the many artworks of this artist, his paintings, which are mainly executed with water-soluble paints on paper, have received more attention than his other artworks. Gorlizki's works show a unique space in which the relationship of elements to each other is not based on familiar definitions, and various visual elements do not pursue their usual concepts and refer to things beyond themselves, so that in some cases the connections of these signs are not readily apparent to the audience at first glance. Nowadays, referring to traditional arts, especially very delicate and complex art such as Miniature painting, is a very important challenge for many artists. Understanding the possibilities of Miniature painting for use in Contemporary art is a difficult process. The art of Miniature painting in general has many possibilities for use in contemporary art, including painting and illustration, and it can be a source of inspiration and adaptation for many artists as an artistic heritage. Because many artists in Iran are creating works in the field of painting today, and also the recognition and general knowledge of artists in the field of Miniature painting has increased compared to the past, it is very important to know how other artists in the world get ideas from Persian and Mughal Miniature painting in creating their artworks. This research has been done to answer the question in the "Time management" painting as a visual system: What connections can the form components have with the semiotic system? The work "Time Management" was selected among Gorlizki's figurative paintings that were exhibited in the exhibition entitled "We Are One" at the Galerie Eric Mouchet from 2014 to 2015 because it represents the artist's style in his figurative paintings very well. This painting can generally be seen as a work that shows the artist's visual communication with the world around him. “Time management” depicts that aspect of today's world where an artist, like any other human being, is surrounded by an abundance of information and images. Gorlizki is an artist who extracts these various elements from a huge mass, sometimes in a completely random process and sometimes in a selective way, based on very personal criteria and ideas, goes beyond the facts and creates his new reality in such a way that the audience is surprised and drowned in the paintings to discover a new world.
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