افشانش معنا در دو داستان «بر دار کردن حسنک وزیر» و «وضع اریارق و غازی» به روایت بیهقی (مقاله علمی وزارت علوم)
درجه علمی: نشریه علمی (وزارت علوم)
آرشیو
چکیده
از جمله دیدگاه هایی که در باب تاریخ بیهقی مطرح است، اعتقاد به تاریخی بودن این اثر و برجسته بودن جنبه تاریخی آن است. بر اساس این دیدگاه جنبه های ادبی تاریخ بیهقی نادیده گرفته می شود از آن جهت که هدف و ملاک نویسنده را روایت تاریخ دانسته اند. از آنجا که بیهقی در روایت خود از تاریخ به گزینش دست می زند و همه حوادث و رویدادها را روایت نمی کند، در واقع می توان گفت ایدئولوژی و نگاه خاص بیهقی نیز در اثر او تأثیر گذاشته است. در این راستا امکان معناهای متعدد در جملات بیهقی و آنچه از روایت او حذف شده است، مطرح می شود. نگارندگان با تأکید بر دو عنصر گزینش در مکالمه و گزینش در توصیف امکانات غیاب معنا را در «بر دار کردن حسنک وزیر» و «وضع اریارق و غازی» از تاریخ بیهقی با روش تحلیلی- توصیفی بررسی کرده اند و به این نتیجه رسیده اند که بیهقی با به کارگیری تمهیداتی چون گزینش در مکالمات میان افراد، تأکید بر جنبه های نحوی، توصیف ویژگی های اشخاص و بیان عواطف در روایت خود، امکان برداشت های متعدد و کامل ناپذیر بودن معناها را ایجاد می کند.Dissemination of meaning in "Hanging Hasnak Vazir" of Beyhaqi history.
Among the opinions that are raised about the history of Beyhaqi, is the belief in the historicity of this work and the prominence of its historical aspect. According to these literary views, Beyhaqi's history is ignored because they consider the purpose and criterion of the author to be the narration of history. Since Beyhaqi is selective in his narration of history and does not narrate all the incidents and events, in fact, it can be said that Beyhaqi's ideology and special perspective also influenced his work. In this regard, many possibilities are raised in Bayhaghi's sentences and what was omitted from his narration. Emphasizing the two elements of selection in the conversation and selection in the description of the possibilities of the presence of meaning, the authors have analyzed the history of Beyhaqi with analytical-descriptive method in "Taking Hasnak Vazir" and have come to the conclusion that Beyhaqi by using measures Because selection in conversations between people, emphasis on syntactic aspects, describing the characteristics of people and expressing emotions in their narrative, creates the possibility of multiple interpretations and the incompleteness of meanings. Keywords: Derrida, presence of meaning, Beyhaqi, history of Beyhaqi, Hasnak Vazir. Introduction The absence of meaning, also referred to as the dispersal of meaning, refers to the endlessness of meanings or the missing part of meaning that is not present in the text. Among these, the History of Beyhaqi is a text that, due to its historical nature, creates the impression in the audience that they are facing a historical text. The narrator of history, namely Beyhaqi, continuously weaves a narrative to convey a singular meaning to the audience. However, through the presence of three components: 1. the selection of Beyhaqi’s personal emotional actions and the description of individual emotions, 2. attention to the structure and the horizontal axis of sentence coordination to express secondary concepts, and 3. the selection of narrating an event from various perspectives and through different individuals, the statements made by Beyhaqi result in an absence of meaning, meaning that a part of the meaning remains hidden in the underlying layers of the History of Beyhaqi. The authors intend to analyze the issue of absence of meaning in the story of Hasanak Vazir from the History of Beyhaqi using a descriptive-analytical method. Accordingly, one of the aesthetic components in the text of the History of Beyhaqi, which is also part of its literary qualities, will be clarified. Materials & methods One of these artistic characteristics is the dissemination of meaning. The authors have analyzed this feature in the tale of Hasanak the Minister, emphasizing Derrida's perspectives. On the other hand, Bayhaqi, as a historian, cannot narrate everything that has occurred. Therefore, what is recounted depends on his selection and ideology. By examining the dissemination of meaning, the authors aim to reveal the hidden aspects of meaning. They intend to explore the issue of the absence of meaning in the tale of Hasanak the Minister from the "History of Bayhaqi" using a descriptive-analytical approach. Consequently, one of the aesthetic components within the text of the "History of Bayhaqi," which is also considered a component of its literariness, will become evident. This issue does not harm the essence of historical events; rather, it may alter the reasons behind those events, resulting from the three components mentioned above. Discussion In his account, Beihaghi describes conversations among individuals and narrates events; however, there are aspects indicating that through these dialogues, one cannot reach the truth of the matter, leaving it shrouded in ambiguity. Nonetheless, this does not alter the fundamental fact that, for instance, Hasanuk was a minister who was executed during Mas'ud's reign. Regarding the crime of Hasanuk in the case of his execution, one canno
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