طرح و تزئینات رنگی در نشان های قرآن های موزه شیخ احمد جامی سده 8 تا 13 ه.ق (مقاله علمی وزارت علوم)
درجه علمی: نشریه علمی (وزارت علوم)
آرشیو
چکیده
قاریان به منظور مکث و یا پایان تلاوت روزانه از علامت هایی بهره گرفتند و مذهبین به منظور زیباسازی آیات قرآنی این نشانه ها را تزئین کردند. هدف این پژوهش، مطالعه ساختار بصری طرح و تزئین در نشان های قرآن های موزه شیخ احمد جامی از سده 8 تا 13 ه.ق می باشد. حال این پرسش مطرح می شود که ویژگی های بصری تزئینی به کاررفته در نشان های آیات قرآن های موجود در موزه شیخ احمد جامی از سده هشت تا سیزدهم هجری چیست؟ رویکرد پژوهش، کیفی و روش تحقیق توصیفی و تحلیلی بوده و شانزده نمونه قرآن که دارای نشان بودند انتخاب گردید. یافته ها نشان داد که قرآن های خطی موزه شیخ احمد جامی دارای نشان های سرسوره، جزو، حزب، سجده، خمسه، عشره، ختم آیات و ترکیبی است. سیر تحول طرح و رنگ در نشان های مختلف قرآن های خطی موزه شیخ جام از شکل ساده و بدون تزئین به سوی انسجام گراییده است. این آرایه ها در بادی امر با رنگ مایه های محدود و به ویژه زرِ ناب شروع گردید و از قرن ششم هجری به بعد عناصر رنگی متنوع دیگر به آن اضافه شد و با حفظ زمینه طلا، رنگ های پرمایه و موثّر همچون لاجورد، شنجرف، سفیدآب، زرنیخی (زردروشن)، سرنج، سبز زنگاری پا به عرصه خودنمایی گذارده است. زیبایی و ظرافت تذهیب در قرون دهم و یازدهم به اوج رسیده و این تعالی و تکامل تا اواخر قرن سیزدهم تداوم یافته است.Examining Design and Color Decorations in Emblems Qurans of the Sheikh Ahmad Jami Museum from the 8th to the 13th Century A.H
Sign Qurans of Sheikh Ahmad Jami Museum, 8th to 13th AHThe reciters used the science of safety in order to pause or finish the daily recitation and decorated the religious ones in order to beautify the Quranic verses. The purpose is to study the visual design of the design and decoration in showing their Quran. Sheikh Ahmad Jami Museum is available from the 8th to the 13th century AH. Using visual features decorated with Quranic markers in the Sheikh Ahmad Jami Museum, what is it from the eighteenth to the thirteenth century AH? The approach, quality and method of research have been descriptive and analytical and sixteen examples of the Qur'an that show are selected. The findings show that the manuscript of the Sheikh Ahmad Jami Museum The beauty and delicacy of gilding reached its peak in the tenth and eleventh centuries, and this excellence and evolution continued until the end of the thirteenth century.The writers of the Qur'ans of Sheikh Ahmad Jami's Mazar have decorated and beautified the manuscripts with eye-pleasing images and gilding to increase the impact of their writings and attract more readers. In addition to the mentioned reasons, the common goal of painting and religious masters is to achieve that sublime beauty that not only pleases the eyes but also illuminates the hearts, and the result of the sincere efforts of the artists is the presence of external and spiritual beauty in all the Qurans of this collection, especially the opening pages. and their ends. In this research, a study and examination of the evolution and development of the page layout of the opening and closing pages during different periods and the analysis of their visual aesthetics in order to familiarize with the masterpieces of Islamic art in Iran and find out its functions in today's art have been done. In this regard, the number of 16 examples of manuscript Qurans Available in Sheikh Ahmad Jami Museum, 3 pieces from the 8th century AH, 2 pieces from the 9th century AH, 2 pieces from the 9th and 10th century AH, 2 pieces from the 10th century AH, 5 pieces from the 12th century AH have been selected. and includes 2 numbers of the 13th century A.H. At the beginning of the information, data, plant elements, the role of Islamic and contemporary elements in the pages of the opening and completion of these 16 manuscript Qurans from the Seljuk era to the Qajar era using historical books, analysis and sources related to They have been compiled and analyzed. The reciters used the science of safety in order to pause or finish the daily recitation and decorated the religious ones in order to beautify the Quranic verses. The purpose is to study the visual design of the design and decoration in showing their Quran. Sheikh Ahmad Jami Museum is available from the 8th to the 13th century AH. Using visual features decorated with Quranic markers in the Sheikh Ahmad Jami Museum, what is it from the eighteenth to the thirteenth century AH? The approach, quality and method of research have been descriptive and analytical and sixteen examples of the Qur'an that show are selected. The findings show that the manuscript of the Sheikh Ahmad Jami Museum shows the Surah Surah, Jazu, Hezb, Sajdah, Khamseh, Ashra, the end of verses and a combination. Garlic design and coloring in different types of Quran Sheikh Museum lines have been integrated from a simple form without decoration. These arrays in Badi Amr are destroyed with limited colors, especially gold, and are painted from the sixth century AH onwards, and while preserving the gold background, rich and effective colors such as azure, sandstone, white water, arsenic (yellow light), Syringe, rusty green found in the arena. The beauty and delicacy of gilding reached its peak in the tenth and eleventh centuries, and this excellence and evolution continued until the end of the thirteenth century.Sheikh Ahmad Jami collection has exquisite calligraphic Qurans that have several symbols in their memory. In this regard, 16 samples of manuscript Qurans from the Seljuk era to the Qajar era in the Sheikh Jam Quran Museum have been selected, including 3 from the eighth century AH, 2 from the ninth century AH, 2 from the ninth century and The tenth century AH, 2 numbers from the tenth century AH, 5 numbers from the twelfth century AH and 2 numbers from the thirteenth century AH are included. There are many Qajars that have 8 types of signs: Sarsura, Jazoo, Hezb, Sajdah, Khamseh, Ashareh, the end of verses and a readable combination. So far, the mentioned Qurans have not been in the scope of research of scholars and the available resources in this field are very few and few. Therefore, the purpose of this study is to identify the decorative arrays used in the Qur'an and the symbols of the 8th to 13th centuries AH in the Sheikh Jam collection. So what are the arrays and structure of the decorative elements in the signs of the Qur'an of the Sheikh Jam Museum?Comprehensive introduction of various signs of manuscript Qurans from the 8th to the 13th century AH in the Seljuk, Ilkhanid, Timurid, Safavid and Qajar periods in the Sheikh Ahmad Jaji Quran Museum is one of the achievements of the present study. The statistical population, which is 16 manuscripts of the Quran, has been selected and examined based on priority and non-repetition of 16 samples of manuscripts of the Sheikh Ahmad Jami Museum in order to provide the maximum amount of information based on the research questions. The research method is descriptive and analytical and the data collection tool is documentary, library and especially field studies.The results of the findings of this research showed that the page layout in the manuscript Qurans of the Sheikh Ahmad Jami Museum from the Seljuq era to the Qajar era has evolved and the aspects of page layout, page divisions, tabulation and writing have evolved from a simple and unadorned form to coherence and decorations. In the Seljuq period, Simple geometric forms and limited colors are used in the layout and decoration of Qurans, but after this period until the Qajar era, the composition, layout and decoration become more coherent and regular, and a variety of colors such as gold, lapis lazuli, and saffron are seen in it.Comprehensive introduction of various signs of manuscript Qurans from the 8th to the 13th century AH in the Seljuk, Ilkhanid, Timurid, Safavid and Qajar periods in the Sheikh Ahmad Jaji Quran Museum is one of the achievements of the present study. The statistical population, which is 16 manuscripts of the Quran, has been selected and examined based on priority and non-repetition of 16 samples of manuscripts of the Sheikh Ahmad Jami Museum in order to provide the maximum amount of information based on the research questions. The research method is descriptive and analytical and the data collection tool is documentary, library and especially field studies.Sheikh Ahmad Jami collection has exquisite calligraphic Qurans that have several symbols in their memory. In this regard, 16 samples of manuscript Qurans from the Seljuk era to the Qajar era in the Sheikh Jam Quran Museum have been selected, including 3 from the eighth century AH, 2 from the ninth century AH, 2 from the ninth century and The tenth century AH, 2 numbers from the tenth century AH, 5 numbers from the twelfth century AH and 2 numbers from the thirteenth century AH are included. There are many Qajars that have 8 types of signs: Sarsura, Jazoo, Hezb, Sajdah, Khamseh, Ashareh, the end of verses and a readable combination. So far, the mentioned Qurans have not been in the scope of research of scholars and the available resources in this field are very few and few. Therefore, the purpose of this study is to identify the decorative arrays used in the Qur'an and the symbols of the 8th to 13th centuries AH in the Sheikh Jam collection. So what are the arrays and structure of the decorative elements in the signs of the Qur'an of the Sheikh Jam Museum?Comprehensive introduction of various signs of manuscript Qurans from the 8th to the 13th century AH in the Seljuk, Ilkhanid, Timurid, Safavid and Qajar periods in the Sheikh Ahmad Jaji Quran Museum is one of the achievements of the present study. The statistical population, which is 16 manuscripts of the Quran, has been selected and examined based on priority and non-repetition of 16 samples of manuscripts of the Sheikh Ahmad Jami Museum in order to provide the maximum amount of information based on the research questions. The research method is descriptive and analytical and the data collection tool is documentary, library and especially field studies.The research method is descriptive and analytical and the data collection tool is documentary, library and especially field studies.
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