Homer

The primary objective of this article is to elucidate that a comprehensive understanding of Greek political thought necessitates an examination of its origins in Ancient Greece. Traditional scholarship in Greek political thought has typically assumed that it originated concurrently with philosophy and the establishment of the polis. In this research, drawing upon the visions of Eric Voegelin and Leo Strauss, we endeavor to establish a refined definition of political thought while challenging the aforementioned conventional assumption. It is argued that political reflection remains intimately intertwined with the theological-mythological beginning of thought in Greece. This theological-mythological mode of thinking initially found expression in the works of Homer and Hesiod, with these poets serving as the foremost intellectual authorities and initial educators of the Greeks. The Greeks, in their self-perception, viewed themselves through a lens of religion and in the mirror of gods and divine forces. Consequently, any exploration into Greek political thought must acknowledge the works of these poets as the seminal intellectual foundations of Greek thought. It is imperative to recognize that political thought in Ancient Greece did not commence with philosophy or the emergence of the polis, but rather with poetry and a distinct form of religious-mythical experience, namely theologia-muthologia. 

The application of Mythology and immortal characters in literature by the authors, poets, and playwrights of Western Classical Literature is quite evident; Characters which are immortalized in the minds and memories, many people worship them for their domination and gallantry, extraordinary creatures who never die, get sick, get injured or grow old; including these eternal characterizations are found in; ‘‘Pandora’’ in ‘‘Hesiod’s Pandora’s box’’, ‘‘Hercules’’ in ‘‘Ovid’s Metamorphoses’’, ‘‘Laius’’ in ‘‘Sophocles’s Oedipus Rex’’, ‘‘Niobe’’ in ‘‘Sophocles’s Antigone’’, ‘‘Sappho’s poem(Leto and Niobe)’’, and ‘‘Aeschylus’s Niobe’’, and finally ‘‘Ulysses’’ in ‘‘Homer’s Iliad and Odyssey’’. In this study, researchers have tried to give, at first, an overview of Mythology and then of the Iliad as the first and the oldest surviving work reflecting Mythology in Western Literature. In other words, an outline of Mythology in the darkest episode of the "Trojan War" has been studied to show the connection between Mythology and Western Literature. This paper has been compiled using the ‘‘content analysis’’ of ‘’Iliad’’ translated by ‘’Richmond Lattimore’’ and through the ‘‘library search’’ with the resources mentioned at the end. The results show that there is a fundamental connection between the creation of myth in the doctrinal views and works of Western Literature. Researchers have tried to examine this connection in the Iliad as a sample of epic and mythological works of Western Literature that is the product of the application of the authors, poets, and playwrights from the realm of Mythology in recreating religious and non-religious convictions mingled with ancient quotations.