CDA

This study tries to critically unravel the way Islam is represented in western discourse through establishing the relationship between language and ideology, the forms it takes and its potential effect. To that end, headlines from widely circulated print media of the west including the Independent, the New York Times, the Herald Tribune, and The Times from January 1, 2008 to December 30, 2012 were selected and Islam and Muslim reproductions were studied therein. This study was carried out using a synthesis of Edward Said's notion of "Orientalism" and Van Dijk's notion of "ideological square", characterized by "positive self-presentation" and a simultaneous "negative other presentation". The analysis demonstrated that Islam is repetitively stereotyped and Muslims are negatively represented, both through various types of linguistic choices selected and via special construction of the headlines.  The educational implications of critical discourse analysis in general and the present study in particular are discussed in relation to teaching, learning and translating the English language.

This study tried to examine the relationship between language strategies/sources and ideologies, and how ideologies are constructed and expressed through language strategies in different English newspapers with different political contexts. The focus of the study was on the style of representation of Syrian civil war in Tehran-Times and Asharq Al-Awsat newspapers. The data from these newspapers were culled from 2012 to 2013. The analyzed texts, which was conducted on the basis of Van Dijk’s (2000) Us-Them and M.A.K. Halliday’s (1985) Transitivity Theory, revealed that the newspapers passivized, downgraded, legitimatized, delegitimized, euphemized, and demonized the involved parties in the war in order to show their desired parties’ standpoint as positive, their positive actions overstated and their negative actions understated. The findings of the study provides implications for syllabus designers, material developers, and language teachers to equip language learners with decent communication and increase their awareness regarding the use of different language sources in a variety of communication contexts.

Aiming at highlighting the important role of print media discourse in the implicit transfer of the dominant ideology of discourse context, the present data-driven paper demonstrates how the lexical features of repetition and synonymy as well as the structural and thematic features of passivization, nominalization and predicated theme were utilized by the discourse producers to mediate between their own underlying ideology and the target readers' understanding of the events of September 11, 2001. Through a comparative statistical analysis of the print media discourse of the data for the study written in two ideologically opposing contexts of Syria and America, we have tried to explicate how the discourse producers utilized various lexical and thematic strategies to produce different impressions of the event and implicitly impose the underlying ideology on the readers.

Starting from the basic Faircloughian and Van Dijkian principle of the Critical Discourse Analysis admitting that it is not only the explicit content of the text that conveys meaning, but it is the underlying and therefore implicit meanings that guide reading, this paper aims to analyze the manipulations of the translator in the philosophical-ideological text of The Temptation of Materialism. This article therefore aims to identify the direct and diagonal factors that fall within the ideological orientations of the translator and environmental constraints. This ensues that the projection of the translatum in the target language & culture is considerably modified. To start the analysis, two questions would be addressed immediately: 1- What are internal and then external forces that help to divert the French text from its original meaning; 2- What are the translational stratagems that the translator uses to convey the author's ideas through his individual, even subjective perspective?