چکیده

بیان مسئلهاز آغاز تاریخ بشری، هنر همواره در خدمت انسان قرار داشته و پیوندی عمیق با دنیای درونی و بیرونی او برقرار کرده است. لباس، که به عنوان نزدیک ترین عنصر به بدن انسان شناخته می شود، تأثیر شگرفی بر هنر و فرهنگ داشته و در عین حال، خود نیز از این دو حوزه تأثیر پذیرفته است. نوع پوشش و لباس افراد نه تنها به عنوان نشانه ای از هویت فرهنگی آن ها عمل می کند، بلکه همچنین نمایانگر تاریخ زندگی بشر و اندیشه های مختلف اقوام در طول زمان است. تحلیل تاریخ پوشاک بدون در نظر گرفتن تمدن ها و تاریخ اجتماعی و اعتقادی انسان ها میسر نیست. به همین دلیل، ضروری است که نگاهی عمیق به تاریخ سیاسی و اجتماعی بشر داشته باشیم تا بتوانیم تغییرات و تحولات لباس های اقوام ایرانی را به خوبی درک کنیم. با این رویکرد، می توانیم به ارتباطات پیچیده ای که میان پوشش، فرهنگ، و هویت های اجتماعی وجود دارد، پی ببریم و بفهمیم چگونه این عوامل در شکل گیری و تحول هنر و فرهنگ ایرانی نقش ایفا کرده اند. هدف پژوهشدر این مقاله، با تمرکز بر نگاره های موجود و تحلیل کیفی طرح های به کاررفته در البسه آن ها، تاش می شود تا مضامین حماسی و غنایی را شناسایی و بررسی کنیم. سؤال پژوهشپرسش اصلی این پژوهش عبارت است از: مضامین حماسی و غنایی چگونه در البسه نگاره های دورهٔ اسلامی آلبویه تبیین شده است؟ به نظر می رسد که در نقوش البسه آن دوران، مفاهیم حماسی نظیر غلو، اغراق، سادگی و کثرت به وضوح قابل مشاهده باشند. روش پژوهشگردآوری داده ها در این پژوهش بر مبنای مطالعهٔ کتابخانه ای و آرشیوی، روش تحقیق توصیفی-تحلیلی و رویکرد کیفی نتیجه گیرینتایج به دست آمده از این تحقیق نشان می دهند که ساختار البسه نگاره ها به طرز قابل توجهی تحت تأثیر مفاهیمی است که در آن ها وجود دارد. این پیوند عمیق و ناگسستنی میان شعر، شاعر و تصویرگری نه تنها به غنای آثار هنری می افزاید، بلکه در فرآیند بازنگری و تحلیل آثار نیز تأثیر بسزایی دارد..

Explanation of the epic and lyrical themes in the clothing of the paintings of the Lslamic era( case study; Al Boyeh period “textiles”).

Explanation of the epic and lyrical themes in the clothing of the paintings of the Lslamic era( case study; Al Boyeh period “textiles”).The literature and art of a nation is one of the most important foundations of that nation's culture, which can be very effective for its recognition. The history of Iranian art shows that one of its main sources of inspiration was the rich Persian literature and that there was a close relationship between them. A large part of the works of art were created in continuous exchange with literature. In this regard, an attempt is made to analyze the epic and lyrical themes by focusing on the paintings and analyzing the existing designs on their garments with a qualitative approach, and to answer the following question: To what extent have the epic and lyrical themes in the garments within the paintings during the Islamic period, i.e. Al Boyeh, been explained?It is believed that epic concepts such as exaggeration, simplicity and variety were used in the clothing motifs of this period. The results obtained demonstrate that the structure of the paintings is derived from the concepts visible in them and that there is always an inextricable link between poetry, poet and illustration and the explanation of the elements used is definitely effective when revising the works. Keywords: Al Boyeh, epic and lyrical themes, clothing(garments ), textiles. and againExplanation of the epic and lyrical themes in the clothing of the paintings of the Lslamic era( case study; Al Boyeh period “textiles”).The literature and art of a nation is one of the most important foundations of that nation's culture, which can be very effective for its recognition. The history of Iranian art shows that one of its main sources of inspiration was the rich Persian literature and that there was a close relationship between them. A large part of the works of art were created in continuous exchange with literature. In this regard, an attempt is made to analyze the epic and lyrical themes by focusing on the paintings and analyzing the existing designs on their garments with a qualitative approach, and to answer the following question: To what extent have the epic and lyrical themes in the garments within the paintings during the Islamic period, i.e. Al Boyeh, been explained?It is believed that epic concepts such as exaggeration, simplicity and variety were used in the clothing motifs of this period. The results obtained demonstrate that the structure of the paintings is derived from the concepts visible in them and that there is always an inextricable link between poetry, poet and illustration and the explanation of the elements used is definitely effective when revising the works. Keywords: Al Boyeh, epic and lyrical themes, clothing(garments ), textiles.and again repet that becuse the numbers it wasnt ok for this siteExplanation of the epic and lyrical themes in the clothing of the paintings of the Lslamic era( case study; Al Boyeh period “textiles”).The literature and art of a nation is one of the most important foundations of that nation's culture, which can be very effective for its recognition. The history of Iranian art shows that one of its main sources of inspiration was the rich Persian literature and that there was a close relationship between them. A large part of the works of art were created in continuous exchange with literature. In this regard, an attempt is made to analyze the epic and lyrical themes by focusing on the paintings and analyzing the existing designs on their garments with a qualitative approach, and to answer the following question: To what extent have the epic and lyrical themes in the garments within the paintings during the Islamic period, i.e. Al Boyeh, been explained?It is believed that epic concepts such as exaggeration, simplicity and variety were used in the clothing motifs of this period. The results obtained demonstrate that the structure of the paintings is derived from the concepts visible in them and that there is always an inextricable link between poetry, poet and illustration and the explanation of the elements used is definitely effective when revising the works. Keywords: Al Boyeh, epic and lyrical themes, clothing(garments ), textiles.

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