نازنین بهرامی سامانی

Taking into account the decrease in public presence in religious places, it appears that one of the main reasons for the los t connection between audiences and sacred sites is the lack of sense of place. Creating a sense of place is the job of architects who utilize several factors to this end. The objective of the present s tudy is to show that in designing, an architect considers a set of the personal unconscious mind and collective unconscious mind to achieve the optimum design based on the needs and a sense of place. Hypotheses were formed based on this. The mos t complete among them was that the mos t solid and adequate unders tanding of place is composed in a space that encompasses a combination of the two groups of semantic and physical archetypes. A variety of phenomenological, environment psychology, and analytical approaches helped the s tudy to realize its objective. A combination of field and library s tudies provided qualitative and quantitative data to the researcher that were analyzed using the Delphi technique. The data obtained by a ques tionnaire were analyzed using analytical hierarchy process 1 (AHP). The findings showed that inducing a sense of place in the Iranian mosque depended on semantic archetypes, and creating, s trengthening, and ensuring the survival of these archetypes turned on more robus t use of physical archetypes.

Marcos Novak mainly considers a type of architecture cuts loose from the expectations of logic, perspective, and laws of gravity, and has invented a set of conceptual tools for thinking about and constructing territories in cyberspace. Novak introduces the concept of "liquid architecture”, a fluid, imaginary landscape that exists only in the Digital domain. He views trans-architecture as an expression of the "fourth dimension”, which incorporates the time alongside space among its primary elements. Novak's liquid architecture bends, rotates, and mutates in interaction with the person who inhabits it. In liquid architecture, "science and art, the worldly and the spiritual, the contingent and the permanent," converge in a poetics of space made possible by emerging, virtual reality technologies. Novak describes his work as a process of metamorphosis, a “symphony of space”, in which 3D constructions have the properties of Music, an experience he has since referred to as “Navigable Music”. In this paper what considered are those phenomenological and post structural approaches and states that they also have become outdated. New senses have been attained through the crossbreeding between the reality of the individual and the virtuality of the structure. A strong concept of space, then comes forward, where the manifestation of mind in the realm of the body calls for what is to be perceived as real. The architecture is now characterized by the fusion of information, art, and technology; the purpose of this research, to question how those realities are constructed and how they take the individual into account.

City is the most complicated and tangible creature of man. There is a critical mutual communication between human and city; and the effect of one’ living environment is beyond question. Graffiti is a new urban phenomenon, which has drawn attention in light of its connection with protestation culture and street art. Thanks to symbolism of graffiti, the artists have added mysterious aspects to their work and distinguished themselves from formal culture. Social protestation is the most notable feature of the graffiti found in Iranian cities. However, to the best of our knowledge, there has been no notable research work in Iran on the relationship of human, society, and existence from of graffiti symbolism viewpoint in particular. The present study is an attempt to survey and evaluate common symbols used on urban graffiti through documentary research. Technique and content analysis in stratified semiology based on Iranian-Islamic culture were taken into account.