Hadith

The proscription of illustration and painting in Islam is a topic often discussed by researchers and art-ists. Most orientalists have suggested that Islam generally opposed art, especially painting and illustra-tion, thus resulting in a number of limitations. A survey of different prophetic sayings on this subject (hadith singular, hadis plural), verses of the Qur'an, and artworks in the era of the caliphs has been pe-rused in this article. It seems that a core factor for the restriction was the possible reversion of newly converted Muslims to polytheism and idolatry. This was a genuine concern in early Islam. Today it is generally unknown, unheard of or simply ignored in the world of Islam. Islam has not prohibited paint-ing rather it does emphasize beauty and aesthetics.

The purpose of this study is to analyze the descriptive descriptive causes of youth's deviance and deviation from religion, and ways to get out of it based on verses and narratives. The results of this study indicate that this problem is not caused by the essence of religion, but rather by causes such as inadequate presentation of religion, incompatibility of religion with reason and science, poverty, psychosis, environment, epistemic weakness, and so on. The Holy Quran as a comprehensive set of scriptures and traditions of the Prophet (peace be upon him) has offered many solutions such as strengthening the faith, purifying the environment, careful selection of comrades, and so on.

According to Islamic and Qur’anic basis, monotheism is the core of Islamic Art and the real art is the one that calls toward spirituality and remembering God in the life and condemns any form of artwork which hinders human being from religiosity and divinity, (Qur’an 31:6). Qur’an from one hand addresses the story of prophet Josef, as the masterpiece of Qur’anic narratives (12:3) but it condemns, from the other hand, using ugly art to show distance human being from Divine beauties, (31:20). The main characteristics of Divine and Islamic Art is that the artist by his or her artwork tries to gain proximity to Allah, the Almighty, the creator of whole universe, and getting away from the worldly desires by observing the universe and the nature by realistic approaches than the eyes of benefit or loss. This perspective is totally different from the ugly or human-centered art which looks at everything by the vision of subjectivity and none or anti-metaphysical perspective looking at world on the basis of worldly benefits, desires, lust, hatred, disparity and animosity. This article intends to survey over several aspects of Islamic Art, from philosophical, spiritual and religious perspective.it will also illustrate some instances from Qur’an or from Hadith (Narration) from the holy prophet of Islam, Muhammad (S) and his Ahlulbayt (A.S). In this article Iranian Shi’a art which is the combination of the art of Iranian culture and also Iranian Shi’ite perspective on religion will also be elaborated on.

The Qur’anic and Hadith materials of medicine are crude propositions that without their systematization cannot be entitled as the science of “Islamic medicine”. Looking into the general position of medicine in the Qur’an, this article draws a thematic outline of medicine in the narrations through thematic classification. After identifying the materials, a process should be done in seven steps to reach the title of the Islamic medicine. According to these steps, after ensuring the authenticity of the hadiths, it is necessary to make sure that the narrations were recorded correctly by the authors of the narrative books. Then, through examining possible harms inflicted on the narrations, being in three stages of issuing, quoting, and understanding, it will be possible to know that the narrations have been protected or are amendable. Afterwards, we need to provide a proper translation, identify similar and conflicting hadiths, investigate the connected and separate evidence, and gather the opinions of scholars and commentators to have a fair understanding of hadiths. In the final step, the interdisciplinary interaction between the experts in the two fields of hadith and medicine should be established in a mutual, step-by-step and joint way.

Ijtihad from the Qur'an and Hadith can have two approaches: One: The conditions that individuals need to reach the stage and power of ijtihad. Two: the conditions that mujtahids face for ijtihad in a religious context; that is, the existence or non-existence is the ground of the possibility of definitive ijtihad from the religious text. A healthy and acceptable ijtihad must fully meet the requirements of both approaches; and disruption in any of these circumstances can overshadow the certainty of religious ijtihad. The current interpretation of the propositions of the Qur'an and Hadith relies heavily on the ijtihad of lexicographers two centuries after the life of the Prophet. Thus, in spite of this historical rupture of the word and the absence of numerous all-contemporary dictionaries of the Prophet, there is no requirement that the lexical ijtihad of two centuries after the Prophet, as we now use it, be one with the spiritual reality of the language of early Islam. Therefore, even if the mujtahids of religious texts are correct in their personal ijtihad, because the conditions for interpreting the text are not available. The current interpretation of the text and propositions of the Qur'an and their hadith is basically uncertain; and at most, it is suspicious.