In the art of goldsmiths during Safavid era, some developments in terms of the two levels of techniques and products are witnessed. The mentioned developments, considering the influence of factors affecting the government structure and society, as well as foreign relations, took a coherent and distinct form. This research aims to determine the elements of developments in the structure of the form and techniques of the art of goldsmiths in the context of two important approaches of Safavid period, which are the artistic relations with east and west and the government's support from art. The questions that this research seeks to answer are: What are the developments in the form and technique of the art of goldsmiths in Safavid period? What was the effect of cultural and artistic exchanges with India and Europe on the evolution of goldsmiths' works and techniques of this period? Therefore, the research type is qualitative and historical, with analytical-descriptive methods considering the study of evidence and resources. Moreover, the findings of the research illustrated that the art of goldsmiths in Safavid era had many developments in terms of techniques and methods in the face of European art, and with the arrival of European goldsmiths and jewelers to Iran, significant innovations occurred in the special techniques of this art, including diamond cutting, filigree art, making fine and wide gold strings, and gold-gluing technique in wall painting. However, at the level of political influence during Safavid era, especially during the era of Shah Abbas I, goldsmiths had played crucial role due to their professional qualifications and prestige.
