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نشانه های بلاغی، در آثار هنری مختلف به اشکال متفاوت معنارسانی می کنند و نحوه بروز و ارائه آنها با توجه به نوع اثر متفاوت است. در آثار سینمایی اقتباسی و در فرایند تبدیل متن به فیلم که واژه ها به صدا و تصویر تغییر می یابد، از جمله اساسی ترین مواردی که در این دگرگونی نقش دارد، نشانه های بلاغی است. در پژوهش حاضر، به منظور بررسی نحوه دگرگونی نشانه های بلاغی از متن ادبی به فیلم، داستان «سفر» و فیلم «زمستان است» که با اقتباس از این داستان ساخته شده، مطالعه و بررسی شده است. این مقاله به شیوه توصیفی - تحلیلی و با استفاده از دو نوع منبع، مکتوب و دیداری - شنیداری (فیلم) انجام شده است که ابتدا به مطالعه منابع مکتوب به همراه متن داستان «سفر» پرداخته شد، سپس فیلم «زمستان است» معاینه و بررسی گردید و نشانه های بلاغی دو اثر ادبی و سینمایی با یکدیگر تطبیق داده شد و در نهایت، دگرگونی های نشانه های بلاغی از متن ادبی به فیلم، تحلیل و بررسی شد. یافته های پژوهش نشان می دهد که در میان نشانه های گوناگون حوزه بلاغت، عناصری مانند استعاره، تشبیه، کنایه، مجاز، نماد، متناقض نما، براعت استهلال و حسن ختام، در فرایند اقتباس از داستان «سفر» به فیلم «زمستان است» دگرگونی چشم گیری داشته است. دگرگونی نشانه های بلاغی، از متن ادبی مورد نظر به این فیلم، به واسطه شگردهای سینمایی، همچون تدوین، طراحی صحنه، طراحی لباس، صداگذاری، نورپردازی و همچنین حالت های صورت و بدن و حتی گاهی سکوت بازیگران صورت گرفته است.

Analysis of the transformation of rhetorical signs from the story "Journey" to the film "It's Winter"

Rhetorical signs convey meaning differently in different works of art, and their appearance and presentation vary depending on the type of work. Especially in adapted cinematic works and in the process of converting text into film, where words are transformed into sound and image, rhetorical signs are among the most fundamental elements that play a role in this transformation. In the present study, in order to investigate the transformation of rhetorical signs from literary text to film, the story "Journey" and the film "It's Winter", which was adapted from this story, were studied and examined. This research was conducted in a descriptive-analytical manner using two types of written sources and a visual-auditory source (film). The findings of the research show that the film "It's Winter" has adapted eight rhetorical signs from the story "The Journey" and changed them from the textual aspect to the visual and auditory aspects. These rhetorical signs are: metaphor, simile, allusion, simile, symbol, paradox, elegant opening and good ending. The evolution and transformation of these eight rhetorical symbols, from the story "Journey" to the film "It's Winter," is shown with the help of cinematic techniques such as editing, set design, costume design, sound, lighting, as well as facial and body expressions, and sometimes even silence. Introduction The analysis of rhetorical signs is one of the methods for analyzing texts, focusing on the study and analysis of signs within the text. This type of semiotics examines the relationships between signs and their implicit meanings from a rhetorical perspective. Beyond linguistics, it is applicable in analyzing poetry, stories, and dramatic literature, as well as other artistic works such as cinema, painting, photography, music, and architecture. Rhetorical signs can be found not only in written literary works but also in other artistic creations; they can exist verbally or non-verbally and visually in various artworks. However, the manner of their presentation differs across various artistic media. For instance, in a medium like cinema, rhetorical signs are expressed through shots, set and costume design, editing, etc., whereas in literature, rhetorical signs are understood through words. In other words, the director conveys rhetorical signs in the film through the use of cinematic techniques, and this transformation and metamorphosis from text to image can be studied in adapted cinematic works. This research seeks to analyze the transformation and metamorphosis of rhetorical signs from the story “The Journey” to the film “It Is Winter” and to answer the question: What transformation and metamorphosis have the rhetorical signs undergone from the story “The Journey” to the film “It Is Winter,” that is, in their conversion from text to sound and image? Materials & Methods Rhetorical signs convey meaning differently in various artistic works, and their mode of manifestation and presentation varies depending on the type of work. Especially in adapted cinematic works and in the process of converting text into film, where words change into sound and image, rhetorical signs are among the most fundamental elements playing a role in this metamorphosis. In the present study, to examine how rhetorical signs transform from literary text to film, the story “The Journey” and the film “It Is Winter,” which was adapted from this story, were studied and investigated. This research was conducted using a descriptive-analytical method, employing two types of sources: written sources and audiovisual sources (the film). The process involved first studying the written sources along with the text of the story “The Journey,” then studying and examining the film “It Is Winter.” The rhetorical signs of the literary and cinematic works were then compared, and finally, the transformations of the rhetorical signs from the literary text to the film were analyzed and examined. Research findings The findings of this resear

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